N, 2001 - 05 David Harth N, 2001 - 05 David Harth

No One

My love is gigantic.

Larger than a long gone prehistoric reptile.

Greater than a sailing blue whale.

 

My love is cosmic.

Stretches far past these terrestrial galaxies.

Beyond the suns and the moons.

 

My love is wind.

Soaring and swirling with nineteenth century clouds.

To carry you throughout your life.

 

My love is fiery.

It is an ignition.

Fuel to light cities across the planet.

 

My love is heroic.

A shield to protect the aged and the ill.

The weak and the poor.

 

My love is honorable.

The heart I possess has been bludgeoned.

Coat of arms is yours.

 

My love is an empire.

Searching wide and far.

To give all to its rightful Queen.

 

My love is passionate.

Dedicated to the pleasure of my lover.

External and internal; body and mind.

 

My love is everything.

It is what makes me continue.

Makes my heart pulsate.

 

 

But I have no one to give my love to.

 

 

 

© 2005 David Greg Harth

05.12.19.01:06:05@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

North Dakota

Love is in the air,

for I’ve bitten your lip,

your blood flows,

falls, scrolls,

drowning my tears

in your gown of thorns

 

Love is in my step,

for I’ve kneeled before you

your outstretched arm

gently caressed

my virgin head

 

Love is beneath you,

I sit worshipping

between your legs

panting like a wet black dog

from across the Styx

 

Love is stolen,

straight from the cabinet

wooden ornaments misplaced

silent souls escaped

my heart pounds for you

 

Love is lost,

I shrivel in the light of the day

dust is what I become

as you forbid me to love you

with a thickness of gore

in the wound under thy breast

 

Love has died,

your soft skin never against mine

I fade into the darkness

the downward spiral of the abyss

never to love

 

 

© 2005 David Greg Harth

05.04.22.04:32:58@296NYC

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2001 - 05, N David Harth 2001 - 05, N David Harth

A Note to You

the moon reflects

on the ripples in the water

I see you peeking

in and out

you keep me hidden

only to discover

I’ve been inside of you

all this time

 

 

© 2004 David Greg Harth

04.04.24.19:10:25@296NYC

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I, 1996 - 00 David Harth I, 1996 - 00 David Harth

I Don’t Want To Make You Cry

I don’t want to make you cry

I don’t want to make you sweat

Shed a tear

Or be afraid

 

I don’t want to make you hurt

I don’t want you to be in in pain

Crawl up inside

Or runaway

 

I don’t want to make you cry

I don’t want to make you hide

Become empty

Or scared

 

I don’t want to make you dive under

I don’t want to make you climb low

Surrender your self

Or remain silent

 

I don’t want to make you cry

Come home tonight

Let me inside

I’ve opened my heart

It stays ajar, for only so long

I don’t want to make you cry

 

 

© 2000 David Greg Harth

00.02.11.18:00:00 @ SOHA NYC

00.02.24.14:49:00 @ 1515 NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Note

Sorry I had to go.

Sorry I couldn’t live in consistent pain.

Sorry I had trouble dealing with the way we lived our lives.

Sorry that it was hard to grasp the life.

 

I’m sorry I was unable to reach my full potential at the young age I was.

I’m sorry I was unable to illustrate or communicate my true feelings.

I’m sorry for the debt I left you in.

I’m sorry for the pain I have left you in.

 

Please know that I had to do this,

I had to do this for me.

Many times, throughout my life I do many things for others,

Now it was time to do something for me.

 

It felt right. It felt like an answer. A completion. My choice.

I’m sorry for the evidence of no reasons.

I’m sorry that it will never be the same.

I’m sorry for a vacant spot that will be at the dinner table.

 

Sorry that I was unable to end the famine.

Sorry that I was unable to end the wars.

Sorry that I was unable to declare world peace.

Sorry that I was unable to grow old with you.

 

I’m sorry I had to go.

I’m sorry I had to leave this way.

I hope you’ll still love me.

As I will love you forever.

 

 

© 2003 David Greg Harth

03.12.16.20:28:05@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Not That I’m The Devil

I’ll lock the door behind us,

and come up close in back of you.

I’ll whisper in your ear

and stretch my split tongue beyond.

I’ll start a scorching inferno that burns

and kill myself for the love in my arms.

 

© 2003 David Greg Harth

03.12.16.01:33:51@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Numb

Numb from the blindness

Numb from the taste

Numb from what she left behind

 

Numb in my throat

Numb in my mind

Numb in my cancer

 

Numb without spit

Numb without love

Numb without regret

 

Numb with thought

Numb with ease

Numb with wonderment

 

Numb through the valley of darkness

Numb through the parted waters by staff

Numb through the sky of limits

 

Numb on the ark of forage

Numb on the sea of waiting

Numb on the land of growth

 

Numb feeling in my memory

Numb feeling in my overloaded senses

Numb feeling in my wet tongue

 

Numb from sealing envelopes of the fourteenth

Numb from stroking the tired

Numb from thinking aloud

 

Numb waiting for she

Numb waiting for the hunger to end

Numb waiting for the completion

 

 

© 2003 David Greg Harth

03.08.26.03:50:47@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

No Love

No,

not here.

No love to give

Penetrated mind.

I’m locked forever.

I’m boarded up.

Forever bound,

never, will I ever,

let you in

and inside.

 

No Love

to receive,

or accept

I’m not here anymore.

Nothing can be done.

No love

No honor

Swept away

left you,

not on your feet.

 

I’m solid

Rock.

Chained and sealed.

Dagger through my heart

Hurt so much,

forgot your name

from city to city

Search, an end.

No love,

today.

 

 

© 2003 David Greg Harth

03.08.14.12:03:22@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Norman

It was hot and crowded at the gallery on 126th Street in Harlem. Black viewers dominated the Jazz inspired exhibition. I was standing along the East wall with a plate in hand. Some rice, some pasta and some fresh vegetables were spread evenly on my white foam plate. With my plastic fork I stood there eating my free food, my starving artist food that I scored at this gallery opening. I stood and observed the crowd. As I stood there, to my left was a man of about age 70 who sat on one of the rare wooden chairs in the gallery. I saw him earlier in the space. He was decked out in a very fashionable jazz outfit. I remember him distinctly because he was dressed in a bright red suit and yellow shirt with matching colourful shoes. His shoes were red and glazed with a shine. They looked like great works of art, almost like Dutch shoes, but these were more electrified with Jazz, like Coltrane blew music through the soles. He walked with a fancy cane held by a hand with a silver nugget ring. Now I stand along the wall, eating my freely scored meal. Out of the corner of my eye I see this wonderful beautiful man all of a sudden slump over and fall out of the chair. For half of a second I pondered if this was performance art, then the other half of the second I realize that there was something seriously wrong. I quickly put my freely scored meal down on the floor with my bag which contained my Bible and went over to the aging black man in the red suit. His face was against the floor and his body twisted in a fashion quite unusual. His cane to the side and his legs overlapping each other. His thick rimmed glasses knocked off of his face, with the weight of his head pressing down on them against the floor. His red cap still on his head. I cradle him in my arms and yell, “Sir! Sir!?” I get no response. A woman walks quickly over from the front of the gallery, “Norman!? Norman!” I realize this woman must know this man and this man was Norman. I cradle him more, with my arms around his back and pick up his head slowly. I yell “Norman!? Norman!?” As I hear various other art viewers yell “Call 9-1-1! Call 9-1-1!” Finally, Norman, with the yellow ochre pants and grey socks slowly opens his eyes. The first being this black man sees in this Harlem gallery is a young white man with blue eyes. I wonder if he thought he was in heaven with white folk or knew where he was. In this hot gallery. This overcrowded space with people who chit chatted to loudly when the speakers wanted to speak. I continue to soothe Norman and his companion leans over with tears and yells for Norman to come to complete consciousness. Norman was only probably out a mere eight to ten seconds, but felt like the lifetime of a pet with four legs. His glasses were off his face now. Yellow glasses with black stripes forming the pattern of a zebra. His yellow shirt cleanly pressed under his stop-sign red jacket. As I continued to cradle this beautiful Jazz man, a man approached me and said “I am a doctor, can I help?” I said yes, and the doctor took over the procedure for caring for the man. As the doctor continued to assist, I stood nearby in case if another helping hand was needed. Finally, in a short amount of time, the emergency workers arrived and attended to my beautiful jazz friend and he finally arose and walked with assistance to the waiting ambulance outside.

 

 

© 2003 David Greg Harth

03.06.18.20:30:00@104E126thStNYC

03.06.24.05:23:00@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

New Orleans, Definitely, On the 15th

Canadian Goose flew down

Great grasping the blanket down

Awesome she went down

 

On the 15th, vivid memories

Temples and Churches

Brought you to the cemetery

 

Visited your next plot

I saw your back door

Pulled out and broke

 

Under the tree

New Orleans Bible

Found you yesterday

 

Five Foot Over

Showing your feet to me

An angel landing

 

I looked up

All I could see

Was you in the sky

 

Definitely

Stay one more night

Catch the early flight

 

On the 15th, I’ll be back

No more time

For the dance and rhyme

 

Dance of the dead

New Orleans Head

Come to me, better off dead.

 

 

© 2002 David Greg Harth

02.08.08.13:10:40@1515NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

New Year’s Day: Learned

I learned she couldn’t sing

Couldn’t sing on top

Or even in the back

She danced

Taught me about dancing on the line

 

I couldn’t ignore the eyes

Just those eyes

It never was a blank stare

On a New Year’s Day

Not today

I’ve been great, how are you?

 

See you tomorrow

Not tonight

See you later

Not tonight

She hung up, never phoned me back

Left with her nipples hard,

Never Again

 

 

 

 

© 2002 David Greg Harth

02.01.01.20:02:02 @ 296 NYC

New Year’s Day

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

New Year’s Eve 01-2002

I can’t sing tonight

I can only try to smirk

Try not to smile

 

I can only put my head down

Wrapped around in the fetal position

 

Jam Jam Jam

The doctors jam the needle in my spine

Drain Drain Drain

The doctors drain my spinal fluid

 

I can’t sing tonight

I’m not allowed

It’s not proper

It’s not right

It’s not connecting the dots

 

Father knows

Neuro Twelve Times Two In Two Thousand And Two

Not any more

Not here today

Gone today

More tomorrow

 

I can’t sing

No more singing

I can’t sing tonight

Just have to count those tiles

Up and down, up and down

Watch the Benz and Bulette go by

Go by

Go by...

 

 

© 2002 David Greg Harth

01.12.31.23:59:59@NYC

02.01.01.24:00:01@NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Nothing

I can’t do anything

My feet hurt

I walked these empty smelly streets

These toxic fumes

These winds carry tears

 

 

© 2001 David Greg Harth

01.09.25.07:00:00@296NYC

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N, 2001 - 05 David Harth N, 2001 - 05 David Harth

Nowhere

...in the middle of the sentence, she got up from the oak table,

and walked out. She in her ravishing red velvet dress that has

been worn out for many years. Threads hung from it until they

dragged along the beer-soaked wooden floor. She dragged her

tapestry of filth with her, like the slutty Vegas whore she was.

Walked right out away from me, passed the yellow hissing lights

and drunk couples who only dream of copulating in pornographic

films. Passed the midget on the bar stool who is smothering his

oversaturated moustache in the cleavage of a buxom blonde bitch.

She walked swiftly in that red old dress, I could hear her

thighs move back and forth, swish, as they rubbed her pubic

hairs together like Velcro...

 

© 2001 David Greg Harth

01.08.17.12:32:38 @ 1515 NYC

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R, 1996 - 00 David Harth R, 1996 - 00 David Harth

Romantic Lovie

Oh Romeo

My big buddy

My fat cat

Sweet stinker

You run after fishy

 

You are a great thumper

Romping around

Running around

Laughing

Goofy

 

Oh Romeo

You black and white

You big eyed wonder

You silly goose!

 

Showing a path

A running bolt

A stalker

And birdie chirper

Lovie Dovie in bed

Humping thy breast

Tonight, and night

Tickle Tickle toe tickler

 

Oh Romeo

What?

Whadya say?

What?

You want to play with fishy??

 

 

© 2000 David Greg Harth

00.12.22.01:39:49 @ 296NYC

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C, 1996 - 00 David Harth C, 1996 - 00 David Harth

Cheesecake, Blueberry Pie

Cheesecake

Blueberry Pie

Chocolate Chip Cookies

Brownies

Peanut Butter Heaven

Raspberry Croissant

Banana Bread

Crumb Coffee Cake

Chocolate Covered Pretzels

Mississippi Mud Pie

Apple Strudel

Fudge

Key Lime Pie

Apple Pie

Oreo Cake

Carrot Muffin

Chocolate Glazed Doughnuts

Seven Layer Cake

 

 

 

 

© 2000 David Greg Harth

00.12.14.23:48:13 @ 296NYC

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S, 1996 - 00 David Harth S, 1996 - 00 David Harth

Stop

You can’t stop me

I’ll keep walking

Straight forward

Past the passing trains

and traffic lights

 

I’ll pass Elvis and Dylan

On my road

To becoming a remembered ghost

 

 

© 2000 David Greg Harth

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T, 1996 - 00 David Harth T, 1996 - 00 David Harth

Tooth Fighter of the Night

Because I’m the Tooth Fighter of the Night,

I won’t let you down.

I’ll rise straight back up

From the dead

From the dirt in which I’m buried under.

 

I’d burn in hell because I’m the forgiver of greatest sins

I’d make love to you if you were a larva carcass

I’d kill your mother if only she was still alive

 

Because I’m the Tooth Fighter of the Night,

I’ll purchase products by Sony and Mattel

I’ll purchase products by Fuji and Banana Republic

I’ll strengthen my weakness by feeding on your weak

I’ll strengthen my weakness by eating at your soul

Eating the flesh off your back

Licking your blood up off the floor

Your menstrual blood

Your baby blood

Your fuck blood

 

Because I’m the Tooth Fighter of the Night,

I’ll sink under and come up again

I’ll keep coming back for more

You can’t beat me down

You can’t erase me

You can’t make me disappear

You can’t dissolve my image

 

Because I’m the Tooth Fighter of the Night,

I’ll steal your teeth and make pretty necklace charms

Because I’m the Tooth Fighter of the Night,

I’ll leave you stamped bills beneath your fluffy pillow

Because I’m the Tooth Fighter of the Night,

I’ll fuck your daughter’s angel

Because I’m the Tooth Fighter of the Night,

I won’t amend to please or surpass your dream

I won’t soothe or edit text-based imagery

I won’t use nicer words or be romantic

I won’t laugh or cry for your benefit

 

Because I’m the Tooth Fighter of the Night,

I’ll be a fighter

I’ll search and never die

I’ll always reach higher

I’ll always try again and again

I’ll survive

I’ll listen, look, learn, live and love

 

Because I’m the Tooth Fighter of the Night.

 

 

 

© 2000 David Greg Harth

00.12.05.01:03:14@296NYC

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N, 1996 - 00 David Harth N, 1996 - 00 David Harth

not mechanical

Bionic Blend

Blurred vision

Cellular devices hooked up

Surrounding my brain

Encompass my thoughts

Bookend around the B Train

RA-Dio waves passing through

 

Traveling speeds

Fast speed

High on crack

On wave tunes

High tunes

Electronic exchanges

B sides

 

Brave ballrooms

Hung balls

Nut cracking massages

Super Duper High Tech

Revolution

Lube

Glued

television

multiplication the simplification

B frank B kite B byte

 

Singapore

Tye

Von

Ren the dollar, rent the book

Streak

Light

Mental note

note of sugar

Sugar cane

note in the bag

B

B the travel

B the plane

jet just blast

Bring on

Become the ring

Role off the tongue

9 8 20 23 20 2 sea you 2 Bnm

 

 

 

© 2000 David Greg Harth

00.11.21.12:47:34 @ 296 NYC

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